Crucifix offered by Le Historique published in recent book on Michelangelo

A painted bronze crucifix offered by Le Historique was published and discussed recently in a book produced by Carlos Herrera Starkie and the Institute of Old Masters Research (IOMR):  "Michelangelo's bronze Corpus documented in Seville, rediscovered."

The book was published in association with the discovery of a finely cast bronze crucifix that had been brought to Spain from Rome in 1597, noted as having been the work of Michelangelo. The discovery of the original crucifix that had been brought to Spain was highlighted at TEFAF Maastricht art fair in March of 2025 at the booth of Stuart Lochhead alongside an accompanying portrait of Mother Jeronima by Diego Velazquez which features her holding an example of the crucifix.

The recently published book heavily cites much of the Old World Wonders gallerists' earlier research on the subject. The example of the crucifix offered by Le Historique is a cast taken from the crucifix that was recently discovered.  It was subsequently painted in early 1600 by Velazquez' teacher and father-in-law, Francisco Pacheco.  Only one other painted cast by Pacheco is known, preserved at the Ducal Palace of Gandia in Spain. 

The crucifix, rendered in delicate detail and imbued with a profound sense of pathos, showcases the anatomical accuracy and expressive power often associated with Michelangelo. The figure of Christ displays a remarkable understanding of human form, capturing the suffering and serenity in equal measure.

"The level of artistry on display is simply breathtaking," states a representative from Old World Wonders. "The subtle muscle definition, the poignant expression on Christ's face, the sheer dynamism of the pose – these are all hallmarks of a sculptor operating at the very highest level."

The book is available online at the IOMR website and the gallerists' previous research on the subject can be read here.

The Institute of Old Masters Research is a highly respected institution dedicated to the study and authentication of artworks from past centuries. Their association with the project lends considerable credibility to the research undertaken on the subject of Michelangelo's crucifix.